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Ideelart Magazine
Serious And Not-so-serious: Kyong Lee in 14 Questions
At IdeelArt, we believe that every artist has a story worth sharing, both inside and outside the studio. In this series, we ask 14 questions that mix the serious with the not-so-serious, inviting o...
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The Neo Supports/Surfaces: A Manifesto for Material Realism in the 21st Century
In the cartography of art history, movements usually have a clear beginning and an end. They burn bright, fade, and eventually migrate into the quiet archives of museums. Supports/Surfaces, born in...
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The Fervent Abstraction of Olivier Debré
Olivier Debré (1920–1999) stands as a pivotal figure in postwar French abstraction. His artistic journey is a testament to the power of painting as a way to express emotion without using descripti...
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Painting with Scissors - Why We Love Henri Matisse Cut Outs
The final artwork by Henri Matisse can not be found in a museum. It is a window, dubbed the rose window, high on a rear wall of Union Church in Pocantico Hills, a riverside hamlet 25 miles north o...
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Serious And Not-So-Serious: Martin Reyna in 14 Questions
At IdeelArt, we believe that every artist has a story worth sharing, both inside and outside the studio. In this series, we ask 14 questions that mix the serious with the not-so-serious, inviting o...
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Geometric Abstraction: NOT Another Heroic Tale of Malevich and Mondrian
Why straight lines still matter Geometric abstraction is one of those art histories everyone thinks they know. A few squares by Malevich, a Mondrian in primary colors, some Op Art that makes your e...
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