The artist considers this painting, acrylic on polyester, to be a continuation of the kind of space revealed in sbc 195 and sbc 203:
A formal matrix that is prevented from being perceived as merely figure-ground by virtue of its interaction with three separate receding spaces, none of which can be read as the background.
Susan Cantrick is an American abstract painter whose primary interest is in painting as a structured visual response to sub-linguistic thinking. Her paintings are analogs of her pre-verbal perception that aim to be as articulate as possible, crystallizing the vitality and complexity of emergent cognition.
She lives and works in Paris, France